Wednesday, February 13, 2019
London - Poetry Analysis :: essays research papers
In this poem, Blake is trying to dispel the novel of grandeur and glory associated with capital of the United Kingdom and to show the real the great unwashed of London and how they felt. London was seen and portrayed as a powerful and wonderful city where the squiffy lived and socialised. However, Blake knew that London was rattling a dirty, depressing and poverty-stricken city modify with slums and the homeless and chronically sick. To reveal the truth, Blake combines description of people and places with the thoughts and emotions of the people. For example, the second stanza says"In each cry of every Man,In every Infants cry of fear,In every office in every ban,The mind forgd manacles I hear"Blake combines the descriptions of the crying minor and man with the observation that the people oppress their hopes and dreams, figuratively chaining up their minds because they have it away that they will never be able to achieve their dreams. Another congresswoman is in the third stanza when Blake describes the crying chimney-sweep and then the "blackning church", but is really saying that the church does not postulate to dirty its hands by helping the soot-covered black chimney sweep. Therefore, a "blackning church" is one that helps the greens, dirty people, and Blake says that "every blackning church appalls", showing that the aristocracy and those in positions of power did not want the church that they supported associating with the common people.Throughout the poem, Blake uses fairly simple language, punctuated with the occasional benight word, but generally the more common words, probably to appeal to the common people who he was supporting through this poem.In writing this poem, Blake is trying to guide the reader understand the truth near London and understand about the real people, and he is also encouraging the church, and the aristocracy to help the common people and to support them instead of pushing them away and disregarding them.
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